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Welcome to WhatNotToSing.com

The American Idol Internet Database

Study. Then sing.

Welcome to WhatNotToSing.com
W hatNotToSing.com is the Web's most comprehensive reference and research site for fans & contestants of American Idol. [Learn More]
Contributors to Ken Barnes's
"Idol Meter" at
USA Today
View the most recent episode ratings >>
Read our latest Idol essay > >

We're coming down to the wire in this year's increasingly weird Camp Should-A-Been replay of the AI10 season. If you haven't been following along, you'll be very surprised to see which contestant this year missed out on the Final 13 entirely, not to mention one or two who made it all the way to the Final Five. After the Replay Finale on June 5th, we're going to take some time to get a few new site features working. Have a great summer!

From Sunday 19-June:
...We bring you the long-awaited, and week-delayed, Great Ratings Recalculation, which we hope will be interesting and captivating enough that you won't pelt us with tomatoes. Have a look at the new WNTS Top 40/Bottom 40 Leaderboard for the fun stuff, then visit the new Library page linked above for full details, including an explanation of why you shouldn't adjust your computer monitor. Some of our star ratings throughout the site have indeed changed colors.

Also, because we had to make a ridiculous number of code changes to the site to support the three new "classes" of ratings, we are virtually certain that there will be a few bugs that slipped through. If you find one (usually it will involve a performances table that's not where you expect it to be), please let us know.

- The WNTS.com Team

For American Idol Live Tickets, trust Vivid Seats - your marketplace for concert tickets

To new WNTS.com visitors: Welcome! We recommend you start with our basic introduction, WNTS 101, to learn what Project WNTS is all about, and to gain an understanding of the performance rating system. Additional resources for new visitors are in the left column of every page. Then, feel free to browse our extensive database and library, and when you have a spare hour or so be sure to check out the full story of Camp Should-A-Been.

Most Recent Results

AI10 - Finale
5/24/2011

Preliminary Approval Ratings

These ratings are still being compiled and thus are likely to change.
# Slot Performance Web Rating σ Result
1 1/6
Gone0002GoneReprise performance
67
 
19 2Safe
2 2/6
Flat On The Floor0002Flat On The FloorReprise performance
50
 
21 6Eliminated
3 3/6
Check Yes Or No0002Check Yes Or No
37
 
19 2Safe
4 4/6
Maybe It Was Memphis0002Maybe It Was Memphis
55
 
25 6Eliminated
5 5/6
I Love You This Big0002I Love You This Big
25
 
16 2Safe
6 6/6
Like My Mother Does0002Like My Mother Does
74
 
23 6Eliminated
See the complete list of Idol episodes...
How are the ratings calculated?...

Current Editorial

Hee-Haw

Country music fans have the last laugh in Season Ten

OK, so another of our off-the-cuff predictions turned out wrong.  As if that's anything new.  A couple weeks ago, we wrote that there was little chance that both of AI10's country teens,Lauren Alaina and Scotty McCreery, would be the last two contestants standing.  After all, no American Idol Finale had ever pitted two contestants of the same genre.  Although it's always dangerous to predict how any given night's voting will turn out, we banked on the one fundamental force of AI nature over the years: the inviolability of vote-splitting among viewers.

So much for science.

The Idolsphere has been in a rather foul mood the past few days, ever since Haley Reinhart's remarkable, Calvin Borel-ian charge finally came to an end in the Final 3.  A Google search on "American Idol Worst Finale Ever" turns up at least twenty forum threads, blogs, and news sources actively discussing the topic, with a sizable number concluding in the affirmative.

We at WNTS are a little embarrassed to have been cited as witnesses for the prosecution in a few of those articles.  It's true that at 58.0, Alaina and McCreery are indeed the lowest-rated duo to reach the Finale in the first ten seasons.  And yes, it's also true that they have produced by far the fewest combined number of 5-star performances – one, Alaina's Flat On The Floor – though this total will increase by at least two when we do our post-season ratings normalization.  Still, barring a major ratings jump by either teen (which is virtually impossible in any Finale where coronation songs and reprises are in play), Alaina would be at best the seventh-highest rated Idol champion...and McCreery would be, ahem, dead last.

All true.

And, at least in our humble opinions, all irrelevant.

For our money, the takeaway from Season Ten isn't that the voters lost their minds.  Far from it.  Rather, it's that it exposed the disconnect – the big disconnect, we'd venture to say – between American Idol's Internet community of fans and its viewers at large.

Not to overstate the obvious, but the fact is, country music is enormously popular in the USA.  Far more so than one would gather if one's sole exposure to it was from the (often condescending, often derogatory) commentary it engenders on the Web.  Perhaps more so than many folks on either coast evidently care to think about.  For decades it's been the butt of jokes among the musical cognizanti.  Not too many of them are laughing today.

About 20 years ago, according to our friend, colleague, and resident music historian Ken Barnes of USA Today's popular Idol Meter feature, country music quietly underwent a significant transformation.  Once locked in a "peculiar stasis" of sorts, country got a major shake-up from a new generation of artists that weren't afraid to mix rock, R&B, folk, Christian, and good old-fashioned pop elements into a traditional C&W framework.  (Think Garth Brooks, Mary Chapin Carpenter, Diamond Rio, Dixie Chicks, Alan Jackson, etc.)

Meanwhile, many mainstream artists that one might not normally consider "country" returned the favor by borrowing liberally from the genre.  This is particularly true, we'd say, among the leading folk artists of the day; is there really a huge difference between, say, the Dixie Chicks and the Indigo Girls, or k.d. lang and Brandi Carlile?  How much different really are Brad Paisley or Taylor Swift from three generations of singer-songwriters with so-so voices but a remarkable knack for writing catchy, often funny, always evocative songs?  This cross-pollination extends well beyond folk, too:  listen carefully to many of Kanye West's riffs, for example, and before long you should find Kris Allen's thought processes strikingly clear on that fateful night two years ago.

A few weeks ago, we ran a study showing that among the major musical categories, country music performances on American Idol have averaged right around 50 over the years...but with two notable quirks.  One, it's had by far the highest standard deviation among web reviewers, suggesting that a good chunk of the Idolsphere, regardless of their Lady Macbeth-like protestations to the contrary, simply do not like country music very much.  Two, it's also by far the safest genre in terms of advancing from week to week.  As we concluded at the time, country might not be everyone's cup of tea, but those who do like it, vote.

And that, we'd say, is the best explanation for Tuesday's unexpected showdown between a pair of country music teens who stayed true to their roots from beginning to end.  If their detractors dismiss them as one-trick ponies, that's certainly their prerogative.  Looking back at their song lists, we'd have to say both McCreery and Alaina did a surprisingly good job at introducing a wide range of country-rock, country-pop and country-soul songs to American Idol, and for the most part they sang them well.  And if it turns out that either teen winds up with the lowest WNTS approval rating of any champion ever, we'd advise them to take heart.  After all, the current holder of that record knows a little bit about country music too...and speaking of people who've had the last laugh, she's done pretty darn well for herself in the years since we stopped tallying her approval ratings!

Enjoy the Finale, and we'll see you here on Tuesday night.

Inside The Site...

About Us : The unabridged, uncensored, unrated director's cut about the origins of Project WNTS and what it is that we do. Based on a true story....
Database : Every season, episode, contestant, performance, song, and original artist in American Idol history, fully catalogued, rated, analyzed, and cross-referenced. Other than that, nothing much.
Library : Articles, blog entries, Idolmetrics analyses, Camp Should-A-Been, and whatever else we can't really stuff into the database without breaking something....
Links : A collection of good Internet resources for American Idol researchers and fans, from blogs to forums to encyclopedias....
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